This is both a happy and sad story but I’m hoping that readers can help this story have an exceptional ending.
My niece Miriam (7 years old) wants to be a fashion designer (and the Prime Minister of Canada but that’s another story). She spends a great deal of time drawing outfits and has had very distinct opinions on fashion style for several years. I thought it would be a great activity for us to start designing knitting patterns together and Miriam agreed.
Early in 2016 we went out to a local coffee house to discuss what Miriam wanted for her cowl. She made some initial sketches and we went through one of my Japanese stitch pattern books together, with Miriam marking down the number of the patterns she liked for about 20 pages before she got overwhelmed. She then narrowed the selection to 5 or 6 patterns after which we discussed how she’d like the cowl knit.
Of course, she had clear ideas about the direction the knitting should be done (along the length), the length of the cowl, how the patterns should go together (in bands) and the way the patterns should be repeated. She quickly narrowed down the smaller patterns to go between the larger motif but it took a bit of work before she finally managed to get it down to a final selection.
I swatched the patterns and that resulted in more fine-tuning and a change in how the smaller motifs were ordered between the larger one. After another swatch, Miriam was satisfied and I was ready to begin knitting on her cowl.
Miriam wanted her cowl knit in a cream colour, with large blue buttons so she could wear it multiple ways. The result is the shorter sample which she is modeling in the photos. I knit this over the summer and part of it was done while in Haliburton (Ontario). My friends and I had rented a cottage there while they attended Indigodragonfly’s Stained Fingers Dye Camp. Kim McBrien Evans saw the piece and asked what I was working on and I told her the story behind the pattern. Kim got very excited and wanted to support Miriam in her design work and offered yarn support for the adult version of the cowl, which she is wearing in the photo of her and Miriam.
It was decided that the design would be “launched” at the Knitter’s Fair (held each September by the Kitchener-Waterloo Knitters’ Guild) in the Indigodragonfly booth. I was really excited because that meant I could take Miriam to the show and she could see her design on display, meet Kim and get inspired for our next design collaboration by looking at all the yarn.
Knitting was done, the pattern was written up and all was on track. Miriam named it “The Secret Way of Patterns.” We were going to have to do the photo shoot after the event but excitement was building for Miriam and I, as well as for my mother, Miriam’s grandmother. Other family members had seen the cowl since it was finished but Miriam hadn’t seen it. The plan was for it to be a surprise for her a day or two before the show. But this is where the story gets very sad.
Three days before the Knitter’s Fair my mother passed away very suddenly due to health complications from a long term illness. None of us were expecting that and it was devastating to all of us, but especially to Miriam and her brother. It’s difficult to lose a grandmother at any age but it’s especially traumatic when you are under the age of 10. Friends scrambled together to get the sample to Kim for the show but we weren’t sure if Miriam and I would attend. Friday night I showed the cowl to Miriam and she suddenly started crying. I asked why and she said “Grandma won’t ever get to see it, how will she know I’m a designer now?” Luckily I was able to reassure her that Grandma did see it and thought it was beautiful. And in the end we attended the Knitter’s Fair together and Miriam got to meet Kim, show off her first design and feel like a designer for the first time, although it was very bittersweet. And even though we both felt very sad, we still had the photo shoot this past Saturday and Miriam did a great job.
Now here’s where I’m hoping some of you can help make this story have an exceptional ending. My mother had asked that Learning For Humanity be listed as the charity for those wishing to make a donation in her name – she believed so much in education. My mom taught me to dream and passed on her love of crafting to both Miriam and I. She was always very supportive of my designing and was so excited that Miriam and I were designing together. In fact, the photo of my mother used for her funeral is her wearing my Vieux Carré Stole, a design I knit as a gift for her.
Miriam and I want to honour and remember my mother by supporting Learning For Humanity and inviting many others to support it as well. We’ve decided that 100% of the money from pattern sales of The Secret Way of Patterns will go to support the installation of Learning For Humanity educational systems in schools in Zambia until the end of 2016. Miriam is hoping that we could sell several thousand patterns (she’s hoping to raise enough to cover the costs of one school – I told her that we would need to sell 8,000 patterns to do that).